The award winners<\/h2>\n\n\n\n![\"\"](\"https:\/\/museum-kueppersmuehle.de\/wp-content\/uploads\/2022\/11\/221028_Cover_RZ-1-814x1024.jpg\")
<\/a><\/figure>\n\n\n\nMORITZ RIESENBECK<\/strong><\/p>\n\n\n\nIn Moritz Riesenbeck’s artistic work, we are confronted with the ephemeral. The artist develops site-specific and temporary interventions that focus on social, cultural or even individual traces in places and objects and make these atmospherically tangible as symbols of contemporary phenomena.
\n<\/div>\n\n\n\nHANNA KUSTER <\/strong><\/p>\n\n\n\nHanna Kuster’s works radiate an enormous amount of energy and in many ways push the boundaries. The painter moves freely and powerfully between figuration and abstraction. Her already remarkable oeuvre creates a very dense visual world from a multitude of very different pictorial objects with personal references, which we can explore. Hanna Kuster studied in D\u00fcsseldorf with Siegfried Anzinger and Tomma Abts.![\"\"](\"https:\/\/museum-kueppersmuehle.de\/wp-content\/uploads\/2022\/11\/221028_Cover_RZ-2-819x1024.jpg\")
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<\/a><\/figure>\n\n\n\nKYOUNGHYUN MIN<\/strong><\/p>\n\n\n\n“I feel the commonality with many digital bodies that are imitated again and again. Perhaps it is because the ‘uncanny valley’ that they form immediately explains the ‘uncanny valley’ that I myself face as a body in the multicultural age […]. As an Asian woman, I am not a complete Asian identity, but a mixture of many Western heritages. In my experience, many of the cultures I encountered in my childhood had a high proportion of absolute Western culture. The food I eat, the clothes I wear and all the places I visit absolutely cannot be defined as a single culture. I am no longer a person with a single identity, but I have an identity mixed with many imitated heritages. On the one hand, the mixed body describes the current ecosystem very precisely. At this point we imitate ‘other beings’, and again ‘other beings’ imitate us, and we describe the world by constantly reproducing it. I want to bring them into the art space with all my eyes and keep them in an infinite form for constant observation.
\n<\/div>\n\n\n\nEMIL WALDE<\/strong><\/p>\n\n\n\nIn Emil Walde’s works, we are confronted with new spaces of perception, which the artist creates by appropriating and transforming existing materials, situations and contexts and whose experience sensitizes our view of everyday social mechanisms.![\"\"](\"https:\/\/museum-kueppersmuehle.de\/wp-content\/uploads\/2022\/11\/221028_Cover_RZ-4-819x1024.jpg\")
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<\/a><\/figure>\n\n\n\nMORITZ RIESENBECK<\/strong><\/p>\n\n\n\n In Moritz Riesenbeck’s artistic work, we are confronted with the ephemeral. The artist develops site-specific and temporary interventions that focus on social, cultural or even individual traces in places and objects and make these atmospherically tangible as symbols of contemporary phenomena. HANNA KUSTER <\/strong><\/p>\n\n\n\n Hanna Kuster’s works radiate an enormous amount of energy and in many ways push the boundaries. The painter moves freely and powerfully between figuration and abstraction. Her already remarkable oeuvre creates a very dense visual world from a multitude of very different pictorial objects with personal references, which we can explore. Hanna Kuster studied in D\u00fcsseldorf with Siegfried Anzinger and Tomma Abts. KYOUNGHYUN MIN<\/strong><\/p>\n\n\n\n “I feel the commonality with many digital bodies that are imitated again and again. Perhaps it is because the ‘uncanny valley’ that they form immediately explains the ‘uncanny valley’ that I myself face as a body in the multicultural age […]. As an Asian woman, I am not a complete Asian identity, but a mixture of many Western heritages. In my experience, many of the cultures I encountered in my childhood had a high proportion of absolute Western culture. The food I eat, the clothes I wear and all the places I visit absolutely cannot be defined as a single culture. I am no longer a person with a single identity, but I have an identity mixed with many imitated heritages. On the one hand, the mixed body describes the current ecosystem very precisely. At this point we imitate ‘other beings’, and again ‘other beings’ imitate us, and we describe the world by constantly reproducing it. I want to bring them into the art space with all my eyes and keep them in an infinite form for constant observation. EMIL WALDE<\/strong><\/p>\n\n\n\n In Emil Walde’s works, we are confronted with new spaces of perception, which the artist creates by appropriating and transforming existing materials, situations and contexts and whose experience sensitizes our view of everyday social mechanisms.<\/a><\/figure>\n<\/div>\n<\/div>\n\n<\/a><\/figure>\n\n\n\n<\/a><\/figure>\n<\/div>\n<\/div>\n\n
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